Everybody:
Channel TWo (CH2) involves Adam Trowbridge, Jessica Westbrook, and Oskar Westbridge. CH2 focuses on mixed reality, media, research, design, development, and distribution... authorized formats + unauthorized ideas... systems of control + radical togetherness. CH2 was awarded a Rhizome Commission in 2012, a Turbulence Commission in 2011, and a Terminal Commission in 2010.
Trowbridge and Westbrook have been collaborating since 1990, and have contributed to a number of publications, platforms, and programs including: reviews for furtherfield.org (2012); the GLI.TC/H READER[ROR] (http://gli.tc/h/) (2011); Media-N, Journal of the New Media Caucus (2010); Plausible Artworlds, a project to collect and share knowledge about alternative models of creative practice (2010-2011); Art Work, A National Conversation About Art, Labor, and Economics, Ed. Temporary Services (2009).
Trowbridge and Westbrook have participated in and contributed to a number of panels and public lectures with talks and presentations including: “Free iPads!? Scalable Digital Pedagogies for Undergraduate Education,” for Mobility Shifts (http://mobilityshifts.org/) at The New School, New York, NY (2011); “GLITCH Bodies and Brains” for gli.tc/h/ (http://gli.tc/h/) at The School of the Art Institute of Chicago, Chicago, IL (2010); “Post-Institutional Systems of Education” for Upgrade! (http://www.upgrade.artapsu.com/) at the Trahern Gallery, APSU, Clarksville, TN (2009); “Givingupness and the end of local” for Plausible Artworlds (http://www.plausibleartworlds.org/), at Basekamp, Philadelphia, PA (2009); and “Shifting motivations, art practice as relation, network, system,” for BIN, at AVA Center, Chattanooga, TN (2008).
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Channel TWo (CH2) involves Adam Trowbridge, Jessica Westbrook, and Oskar Westbridge. CH2 focuses on mixed reality, media, research, design, development, and distribution... authorized formats + unauthorized ideas... systems of control + radical togetherness. CH2 was awarded a Rhizome Commission in 2012, a Turbulence Commission in 2011, and a Terminal Commission in 2010.
Trowbridge and Westbrook have been collaborating since 1990, and have contributed to a number of publications, platforms, and programs including: reviews for furtherfield.org (2012); the GLI.TC/H READER[ROR] (http://gli.tc/h/) (2011); Media-N, Journal of the New Media Caucus (2010); Plausible Artworlds, a project to collect and share knowledge about alternative models of creative practice (2010-2011); Art Work, A National Conversation About Art, Labor, and Economics, Ed. Temporary Services (2009).
Trowbridge and Westbrook have participated in and contributed to a number of panels and public lectures with talks and presentations including: “Free iPads!? Scalable Digital Pedagogies for Undergraduate Education,” for Mobility Shifts (http://mobilityshifts.org/) at The New School, New York, NY (2011); “GLITCH Bodies and Brains” for gli.tc/h/ (http://gli.tc/h/) at The School of the Art Institute of Chicago, Chicago, IL (2010); “Post-Institutional Systems of Education” for Upgrade! (http://www.upgrade.artapsu.com/) at the Trahern Gallery, APSU, Clarksville, TN (2009); “Givingupness and the end of local” for Plausible Artworlds (http://www.plausibleartworlds.org/), at Basekamp, Philadelphia, PA (2009); and “Shifting motivations, art practice as relation, network, system,” for BIN, at AVA Center, Chattanooga, TN (2008).
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